★★★★★ “This is theatre at its most immersive and interactive...A technical masterclass.” –Edinburgh Review

★★★★ “A jewel-like show, elegantly paced with a constant flow... A quietly moving, slightly unsettling, miniature masterpiece of a show.” –Arts Desk

★★★★★ “Glimpses of human frailty punctuate the mundane office routine, and seemingly simple tasks trigger moving reflections on the lives of strangers and one’s own mortality.”          –InReview

“★★★★” –The LIST

★★★★ “TEN BEST THEATRE SHOWS OF 2022” –The Telegraph

★★★★ “There’s unlikely to be anything else like temping... it deserves to stand out.” –Glam Adelaide

★★★★ “Immersive, innovative, thought-provoking – temping is live performance as you have never experienced it before.” –Binge Fringe

★★★★★ “It’s an extraordinary piece of work: subtle, intricate, intriguing and provoking... extraordinarily interesting and strangely fun.” –Broadway World

★★★★ “Temping may not be ‘conventional’ theatre but I still left the space feeling ‘changed’ and isn’t that what ‘theatre’ is all about? I walked out with a renewed sense of wanting to really ‘live’ my remaining years of life". –Theatre Weekly

★★★★★ “Solitary stands as a powerful indictment of a prison system… made compelling by the beauty and compassion with which it is told. It’s an uncompromising piece of theatre that makes visible what has long been shut away.” –The LIST

★★★★★ “Genius... Cooper does sterling work... it’s impossible not to connect and relate with this man.” –British Theatre Guide

★★★★½ “A physical theatre masterpiece.” –Arthur’s Seat

“A colorful, funny, intelligent, and insightful lampoon of where we’re headed and why we shouldn’t go there.” –DC Theater Arts

“IN CORPO has an impressive set enhanced by lights and multi-levels, original music, creative choreography, and a talented cast...Is IN CORPO a mere fantasy or a warning about our future? See it and make your own decision." –Laurie Lawson

“The kind of innovative musical that reassures us of the continuing vitality of the musical theater genre.” –BlogCritics

★★★★ “A timely allegory of identity and belonging... Saddle up.” –TimeOut New York

“The Antelope Party is a timely hot take on unity, community, and cosplay-in-a-play.” –Broadway World

New York Times CRITICS PICK

★★★★★ “A complex question deserves serious consideration, something ‘Intelligence’ offers by eschewing easy answers.” –Three Weeks Edinburgh

★★★★★ “Intelligence doesn’t just pass the Bechdel-Wallace test, it raises the bar for what a feminist production can be... Intelligence delivers a flawless performance.” –Opplaud

★★★★ 2018 TOP PICK OF THE FRINGE. “Sharp, funny writing, which pulls absurdity from the mundane... I won’t forget it in a hurry.” –The Guardian

★★★★★ “A fable wrapped not-so-tightly inside a comedy that will have you literally laughing-out-loud.” –Opplaud

★★★★ “I’m hooked by the quirky charm of this play. I was impressed by how such a serious issue was handled in a manner both sensitive and whimsical.” –Three Weeks

★★★★ “An incisive examination of the disunited state of America ... both extremely funny and provocative, using the absurd to point out the thorny underbelly of bigotry and xenophobia while highlighting how isolated we are in the current political climate... A piece that challenges as well as entertaining you throughout, this is an entirely unique play that will make you think, and leave you wanting more.” –The Skinny

★★★★ “Gripping... told with punchy, slick dialogue and very good acting...both mesmerising and memorable... the tale remains in your head long after you leave.” –The Edinburgh Reporter

★★★★ '“[A] Beautifully realised production that delights... This is a play that revels in its strangeness... This production is invigorating, captivating, and adventurously bizarre. The fascinating dynamics and well-crafted performances make for a gripping show.” –Broadway Baby

★★★★ –Opplaud

“In Quietness dares to get deep and ask a lot of important questions.” –Theater Is Easy

“This dialogue is compelling, and Ms. Moench demonstrates a keen interest in human thought, behavior and relationships... It’s enough to inspire faith in her future plays.” –New York Times

A BEST BET. –Theatre is Easy

“This clever two-hander is an inventive take on the apocalyptic genre, a commentary on every religion that involves an End of Days and a reflection on our current political situation, all in one ... utterly gripping... mesmerizing.” –Charged.fm

“Beautifully produced.” –Helen Shaw, TimeOut New York