★★★★★ “This is theatre at its most immersive and interactive...A technical masterclass.” –Edinburgh Review

★★★★★ “The team at Dutch Kills and Wolf 359 have constructed an intriguing and compelling interactive experience that will leave you desperate to find out more. I don’t know how to promote this show without spoiling it, but I know I emphatically encourage you to go and experience it.” -Voice Mag

★★★★ “A jewel-like show, elegantly paced with a constant flow... A quietly moving, slightly unsettling, miniature masterpiece of a show.” –Arts Desk

★★★★★ “Glimpses of human frailty punctuate the mundane office routine, and seemingly simple tasks trigger moving reflections on the lives of strangers and one’s own mortality.”          –InReview

★★★★ “An immersive treat. This cleverly executed super smart production is more than an absorbing, entertaining experience - it’s a poignant musing on life.” –The Wee Review

“★★★★” –The LIST

★★★★ “TEN BEST THEATRE SHOWS OF 2022 and 2024” –The Telegraph

★★★★★ “The piece is transcendent and will live in your brain for longer than the hour you spend in this poignant world.” - A Young(ish) Perspective

★★★★ “There’s unlikely to be anything else like temping... it deserves to stand out.” –Glam Adelaide

★★★★ “Immersive, innovative, thought-provoking – temping is live performance as you have never experienced it before.” –Binge Fringe

★★★★★ “It’s an extraordinary piece of work: subtle, intricate, intriguing and provoking... extraordinarily interesting and strangely fun.” –Broadway World

★★★★ “Temping may not be ‘conventional’ theatre but I still left the space feeling ‘changed’ and isn’t that what ‘theatre’ is all about? I walked out with a renewed sense of wanting to really ‘live’ my remaining years of life". –Theatre Weekly

★★★★★ “Solitary stands as a powerful indictment of a prison system… made compelling by the beauty and compassion with which it is told. It’s an uncompromising piece of theatre that makes visible what has long been shut away.” –The LIST

★★★★★ “Genius... Cooper does sterling work... it’s impossible not to connect and relate with this man.” –British Theatre Guide

★★★★½ “A physical theatre masterpiece.” –Arthur’s Seat

WHISPER WALK

★★★★ “Whisper Walk is an intimate adventure that runs through a gamut of emotions. We are reminded of the importance of human connection, and the way places can trigger our memories. We are reminded to treasure those special moments that happen through life, and to never discount the impact a seemingly simple event may have on our lives. The voice actors tell their stories with all the heart, humour and drama that is needed to make an impact.” –Glam Adelaide

GAIA

★★★★ “The cast of 11 actors are great, with very distinct characterisations that we quickly learn to love, hate or distrust. Across 9 scenes, they act out the plot and we follow along easily thanks to Asa Wember’s clear directions and Alexander Silber’s smart, sharp dialogue. A fine selection of original music by Wet Hands and other additional music adds to the experience and keeps you company as you walk between scenes… what an exciting new way it is to explore our city.” –Glam Adelaide

SHADOWS OF THE PAST

★★★★ “It’s sure to reinstate your thrill of new discoveries as you’re led down the Garden path.” -Glam Adelaide

“A colorful, funny, intelligent, and insightful lampoon of where we’re headed and why we shouldn’t go there.” –DC Theater Arts

“IN CORPO has an impressive set enhanced by lights and multi-levels, original music, creative choreography, and a talented cast...Is IN CORPO a mere fantasy or a warning about our future? See it and make your own decision." –Laurie Lawson

“The kind of innovative musical that reassures us of the continuing vitality of the musical theater genre.” –BlogCritics

★★★★ “It is technically several levels above [other] digital work... blends elements of 12 Monkeys and Quantum Leap with something more contemplative... a through provoking and innovative piece that makes you pause and look afresh at the world around you.” - The Stage

“Makes the familiar strange, asking us to think deeply about what we often take for granted — the facts of the human body and its lived environment. I didn’t think that after this many months indoors my tiny apartment could ever seem foreign. But for that hour it did. Even the simple act of sipping a glass of water felt weird and charged.” –Alexis Soloski, The New York Times

★★★★ “It turns you inward and makes the familiar strange.” –The Scotsman

“The spirit of John Milton’s Paradise Lost hovers over a very deftly put together show which is cleverly formed and whose set-up and narrative dovetail neatly with the digital form. I like that... It makes you surprise yourself.” –Lyn Gardner, Stage Door

★★★★ “A timely allegory of identity and belonging... Saddle up.” –TimeOut New York

“The Antelope Party is a timely hot take on unity, community, and cosplay-in-a-play.” –Broadway World

New York Times CRITICS PICK

★★★★★ “A complex question deserves serious consideration, something ‘Intelligence’ offers by eschewing easy answers.” –Three Weeks Edinburgh

★★★★★ “Intelligence doesn’t just pass the Bechdel-Wallace test, it raises the bar for what a feminist production can be... Intelligence delivers a flawless performance.” –Opplaud

★★★★ 2018 TOP PICK OF THE FRINGE. “Sharp, funny writing, which pulls absurdity from the mundane... I won’t forget it in a hurry.” –The Guardian

★★★★★ “A fable wrapped not-so-tightly inside a comedy that will have you literally laughing-out-loud.” –Opplaud

★★★★ “I’m hooked by the quirky charm of this play. I was impressed by how such a serious issue was handled in a manner both sensitive and whimsical.” –Three Weeks

★★★★ “An incisive examination of the disunited state of America ... both extremely funny and provocative, using the absurd to point out the thorny underbelly of bigotry and xenophobia while highlighting how isolated we are in the current political climate... A piece that challenges as well as entertaining you throughout, this is an entirely unique play that will make you think, and leave you wanting more.” –The Skinny

★★★★ “Gripping... told with punchy, slick dialogue and very good acting...both mesmerising and memorable... the tale remains in your head long after you leave.” –The Edinburgh Reporter

★★★★ '“[A] Beautifully realised production that delights... This is a play that revels in its strangeness... This production is invigorating, captivating, and adventurously bizarre. The fascinating dynamics and well-crafted performances make for a gripping show.” –Broadway Baby

★★★★ –Opplaud

“In Quietness dares to get deep and ask a lot of important questions.” –Theater Is Easy

“This dialogue is compelling, and Ms. Moench demonstrates a keen interest in human thought, behavior and relationships... It’s enough to inspire faith in her future plays.” –New York Times

A BEST BET. –Theatre is Easy

“This clever two-hander is an inventive take on the apocalyptic genre, a commentary on every religion that involves an End of Days and a reflection on our current political situation, all in one ... utterly gripping... mesmerizing.” –Charged.fm

“Beautifully produced.” –Helen Shaw, TimeOut New York